Women enter science and the labor market with the built-in assumption that at some point they will take on caregiving responsibilities.
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For Slovenian modernist writers young and beautiful women were interesting as literary characters, while educated women were hardly ever written about and if they were, it was in a mocking way. In Slovenian literature, they only appeared as full-blooded characters in the works of their contemporaries, most often in those of Zofka Kveder.
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Pred vami je nova, sveža serija šestih podkastov o ženskah v znanosti in o ženskih perspektivah v znanosti, ki s posebnimi povečevalnim steklom potuje tudi po slovenskem prostoru.
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Feminist science fiction has placed technological development within social development—weaving it into intimate and political power relations with the questions of justice.
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Author of the book Artificial Humanities, explains why digital assistants are biased, how the male-dominated culture of Silicon Valley shapes algorithms, and why philosophers should sit at the same table as engineers.
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Dr. Nina Beguš, avtorica knjige Umetna humanistika, pojasnjuje, zakaj so digitalni asistenti pristranski, kako moško zaznamovana kultura Silicijeve doline oblikuje algoritme in zakaj bi morali filozofi sedeti za isto mizo kot inženirji.
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Za pisatelje slovenske moderne so bile kot literarni liki zanimive mlade in lepe ženske, o izobraženkah skorajda niso pisali in če pa že, posmehovalno. V slovenski književnosti so se kot polnokrvni liki pojavile šele v delih njihovih sodobnic, največkrat pri Zofki Kveder.
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Ženske vstopajo v znanost in na trg dela z vgrajeno predpostavko, da bodo na neki točki prevzele skrbstvene obveznosti – torej postale matere.
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Tea Hvala: Feministična znanstvena fantastika je tehnološki razvoj umestila v družbeni razvoj – ga vpela v intimna in politična razmerja moči ter vprašanje pravičnosti.
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